![]() He has extended the possibilities of the two-guitar combination through his arrangements of Latin American music by composers such as Piazzolla, Villa Lobos, Ginastera and Gismonti as well as Baroque and Modern music by Scarlatti, Rameau, Soler, Bach, Mompou, Ravel, Debussy and Gershwin among many others. Over the last thirty years Assad has concentrated most of his efforts on building a repertoire for the guitar duo. Sergio later went on to study conducting at the Escola Nacional de Música in Rio de Janeiro, and worked privately with Brazilian composition teacher, Esther Scliar. At the age of 16, he and Odair began their studies under the best-known classical guitar teacher in Brazil at the time, Monina Tavora, a former disciple of Andrés Segovia. By age 14, he was arranging and writing original com- positions for the guitar duo he had formed with his brother, Odair. He learned Brazilian folk melodies from his father. 3 fingerings by Thomas Viloteau Responsable de la collection et gravure musicale / Editor and music engraving : Sylvain Lemay © 2015, LES ÉDITIONS DOBERMAN-YPPAN, 2220 chemin du Fleuve, Lévis (Québec) Canada G6W 1Y4 FAX : (1) 418 834-3522 E-MAIL : WEB : Dépôt légal 3 e trimestre 2015, Bibliothèque nationale du Québec, Bibliothèque nationale du Canada Imprimé au Canada Printed in Canada ISBN 978-2-89503-709-5 Born into a musical family in Mococa, São Paulo, Brazil, Sergio Assad began creating music for the guitar not long after he began playing the instrument. ![]() ![]() Pedro riffo - 000013727 - Sergio Assad Suite Brasileira No. ![]()
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